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Trust Lata to pull at the heartstrings like only she can while conveying her disappointment over a soured romance in Akeli Mat Jaiyo. Woh Jo Milte The Kabhi Humse, Akeli Mat Jaiyo (1963) The historical romance of Taj Mahal is immortalised in Lata Mangeshkar’s acknowledgement but it’s her distress at man’s lust for war in Khuda-E-Bartar that hits the right chord.Ģ5. Khuda-E-Bartar Teri Zameen, Taj Mahal (1963) The magnificent combination of SD, Gulzar and Lata blossoms in the tender aspirations of Mora Gora Ang.Ģ4. Oomph and seduction trickle from every corner of this tantalising mujra powered by Lata Mangeshkar’s cham-cham cham-cham. Raat Bhi Hai Kuch Bheegi Bheegi, Mujhe Jeene Do (1963) Lata Mangeshkar’s anxiety in Kahin Deep Jale Kahin Dil hasn’t stopped haunting listeners since 1962.Ģ2. Kahin Deep Jale Kahin Dil, Bees Saal Baad (1962) Lata Mangeshkar’s wispy delivery of Shailendra’s moving verse in this Salil Chowdhary penned parable evokes awe.Ģ1. Neither Madhubala nor Lata Mangeshkar miss a beat.Ĭhampions of classical world unite to craft this soaring, stirring composition gracing the opening credits of Hrishikesh Mukherji’s compelling Anuradha. When the voice of serenity becomes the voice of defiance, the message is loud and clear. Pyar Kiya Toh Darna Kya, Mughal-E-Azam (1960) Though nothing quite like the original.ġ4. Its poetic sting continues to inspire scenes, scripts and covers. Ajeeb Dastan Hain Ye, Dil Apna Aur Preet Parayi (1960)īetrayal and blessings infuse Lata Mangeshkar’s crushing expression of heartbreak. Chal Mere Ghode Tik Tik, Chirag Kahan Roshni Kahan (1959)įull of curious adventures and fanciful enchantment, Lata Mangeshkar’s affectionate, animated storytelling of the childhood favourite, Chal Mere Ghode hasn’t lost an ounce of its charm.ġ3. But the quivering playfulness she lends to the folksy Bichua is something else.ġ2. Chadh Gaye Re Paapi Bichua, Madhumati (1958)Īlmost every song in the soundtrack showcases Lata Mangeshkar’s brilliance. Chand Phir Nikla, Paying Guest (1957)Ĭhori Chori’s Rasik Balma and Chand Phir Nikla are almost soul sisters but the latter’s tune, turmoil and Lata ji’s trademark touch gives it a bit of an edge.ġ1. A quality she uses to great advantage for V Shantaram’s social reforms drama.ġ0. That shraddha bhav in Lata Mangeshkar’s rendition can turn believers out of sceptics. Aye Malik Tere Bande Hum, Do Aankh Baarah Haath (1957) Lata trills and thrills in this tour de force from Shankar-Jaikishan’s magnum opus.ĩ. Jaa Jaa Re Jaa Balamwa, Basant Bahar (1956) Lata ji picks the desperation and devotion in Chandramukhi’s deep concerns for her unreciprocating beloved in her pitch-perfect delivery of a classic.Ĩ. If Lata ji’s epic prowess in classical music here doesn’t take your breath away, you probably need new ears. The playback queen finds a perfect balance between grand ardour and understated drama in the exquisite notes of Yeh Zindagi Usi Ki Hai. If Madhubala and Dilip Kumar’s intense agony burns the screen, Lata Mangeshkar and Talat Mehmood’s heartfelt understanding of this pain lends it force.īrimming with spirit, sentiment and strength, Lata Mangeshkar’s energetic call for patriotic participation in Anand Math is stuff of goose bumps.ĥ. Seene Main Sulagte Hain Armaan, Taraana (1951) The singer exuberantly conveys the pangs of first love in this Raj Kapoor-Nargis romance leading to the passionate embrace that inspired RK’s historic logo.ģ.
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Even when a young Lata’s personal style was still evolving, the sheer softness of her singing wasn’t lost on the discerning listener in this haunting beauty for the ages.